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The Turkish Ney Reed Flute Special Music Video(Ney Dinleti)

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The Turkish ney reed flute, together with the Turkish tanbur lute and Turkish kemençe fiddle are considered the most typical instruments of Classical Turkish music. The ney also plays a primary role in the music of the Mevlevi Sufi rites (semâ). A rim-blown, oblique flute made of reed, the Turkish ney has six finger-holes in front and a thumb-hole in back. Using cross-fingering, finger-hole shading, and embouchure adjustment, the journeyman player can produce any pitch over a two-and-a-half octave range or more. Nearly all Turkish neys have a mouthpiece made of water buffalo horn, or sometimes ivory, ebony, plastic, or similar durable material. Sizes range from the lowest, Davud (in E/mi, 95 cm long), to the highest, Bolahenk nısfiye (in d/re, 52.5 cm long). The low-pitched Ṣah (Shah) ney (in F/fa, 90 cm long) is shown at right. Note: Pitches in the previous sentence refer to the note generated with all holes closed. In some Turkish musical circles, the "pitch" (akord) of a ney...

Ney flute live concert - avi adir - HD - Nay

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www.boomerangdream.com avi adir is playing the Ney flute in the Byron auditorium- http finally have my new cd at - www.boomerangdream.com

DEDE EFENDI - NEY TAKSIMI

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GUZEL BIR ESER

Persian NEY

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Persian NEY

Omar Faruk Tekbilek teaches about the Ney and Zurna for gildedserpent.com

Tags: Bellydance musical instruments rhythm turkish double reed mizmar kuval zurna ney nai nei

Footage captured in August 2008, at the Mendocino Woodlands, Middle Eastern Music and Dance Camp. Omar Faruk Tekbilek, originally from Turkey, teaches and demonstrates the ney and zurna. Also incuded are short performance clips of Omar with the instruments and band members.

NEY taksim

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NEY taksim

Ney Yapımı

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Ney Yapımı sebnemkoken.blogspot.com

Lian Ensemble in Jerusalem (Part 1) Ney Solo

Tags: Sufi Persian Rumi Nurbakhsh Tar Tonbak Ney Santur mevlana Daf Pourmehdi Pourafar Bulori Mirzadeh

HOUMAN POURMEHDI is a master percussionist, well known for his diverse abilities as a musician, composer, and multi-instrumentalist. Performing and recording in numerous ensembles and at a variety of venues. He was introduced to Persian music by his father, and received his first Tonbak at the age of three from his grandfather. He was privileged to study Tonbak under guidance of the late Grand Master Amir Nasser Eftetah. At sixteen he continued his studies at the Center for Preservation and Propagation of National Music, where he completed the techniques of playing Tonbak under supervision of Master Morteza Ayan. His interest in the spiritual path of Sufis introduced him to the Ghaderi Sufi order's virtuoso Daf players, such as Haj Agha Sadeghi, Mirza Agha Ghosi, and Darvish Karim, with whom he studied the heart-to-heart traditional techniques of playing Daf. Pourmehdi moved to Chicago in 1988, where he founded the society for the Advancement and Preservation of Traditional Persian...